Friday, January 27, 2012

Bon Jovi + Bon Iver = Bon Joviver

Is it me, or has the new music tap started to run dry? It's probably just a temporary thing. At this very moment, the music industry is evacuating all its staff to an underground bunker in preparation for the hailstorm of hate that will greet next week's triple whammy of new releases from Lana Del Rey, MIA and Madonna.

In the meantime, here is a lovely thing: Bon Jovi, sung in the style of Bon Iver, by musical miscreants Miracles Of Modern Science.

Bon Joviver - You Give Love A Bad Name


More like this, please.

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Wednesday, January 25, 2012

Sleigh Bells: Comeback Kid video

In the video for Comeback Kid, seen below, Sleigh Bells frontwoman Alexis Krauss bounces on a mattress while clumsily grasping a rifle. We do not recommend bouncing on a mattress while clumsily grasping a rifle. Bouncy castles are more fun.

Sleigh Bells - Comeback Kid

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Tuesday, January 24, 2012

Ladyhawke's new single: What happens when?

00:00 Static, hiss and crackle from a "vinyl record" (ask your dad).
00:01 A Vibraphone.
00:04 A cowbell. Some sticks that go clickety-clack.
00:08 "Time is never easy when you’re alone"
00:13 "Uh, oh, oh".
00:15 Amazing drum fill.
00:25 The bridge.
00:38 The chorus.
00:40 Fans of Abba's On And On may find themselves in familiar territory here.
01:22 "Your slow descent to madness has just begun"
01:27 "Uh, oh, oh".
01:44 Open hi-hat heralds the arrival of the second chorus.
02:27 Flamenco guitars - this must be the middle 8.
02:56 It's the freakin' axe solo, yo.
03:14 Final appearance of the chorus.
03:45 Digital watch has nervous breakdown.
03:50 The end.

Ladyhawke - Black, White & Blue

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Monday, January 23, 2012

Lana Del Rey proves the haters wrong

Rhubarb, rhubarb, can't sing live, rhubarb, blah, waffle, no charisma, nonsense, huff.

That is basically a summary of the entire internet's hysterical response to Lana Del Rey when she made her US TV debut on Saturday Night Live the other week.

At the time, I strongly suspected her awkward appearance and kinda wobbly vocals had something to do with stage fight. Lana isn't the world's most seasoned performer, after all, and SNL is one of the most high pressure gigs there is.

After hearing her play the exact same set on BBC 6 Music this morning, I'm even more convinced that crippling shyness had something to do with the SNL debacle. Put at her ease by the ridiculously affable Huey Morgan (to the extent that she did a - gasp - accidental swear) and safe from the denuding gaze of TV cameras, the sultry melancholy of Video Games was fully restored.

Afterwards, Huey's team said it beautifully on Twitter:

Or, to put it another way:

If you're visiting this page between 27 January and 26 February, 2012, you can listen to the interview and performance below. After that, the BBC will press a huge self-destruct button and the audio will be removed from the internet FOREVER.

You have been warned.



PS: If you haven't already read Popjustice's backlash against the Lana Del Rey backlash, then get over to their website forthwith.

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This is not a new track by Daft Punk

Today's blog post is about 17-year-old French dance producer Madeon who burst into our consciousness last year with a breathtaking, 39 song mash-up performed live on a sampler. The appropriately-named Pop Culture incorporated bits of tracks by Buggles, Kylie, Girls Aloud, The Killers and ELO - comme ça:

Madeon - Pop Culture


An astonishing display - and one that has rightly seen him booked for a ton of DJ sets around the continent.

He's also been working hard on his debut album, and the first single - Icarus - got a preview on Pete Tong's radio show a couple of weeks back. Clearly, Madeon has had to borrow all of his equipment from Justice, who bought it second-hand from Cassius, who had it on loan from Daft Punk after they won it in a bet from Stardust.

Seriously, all French house music sounds like this, doesn't it? Not that I'm complaining.

Icarus - Madeon

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Friday, January 20, 2012

Have Radiohead killed rock music?

Earlier this week, it was revealed that sales of rock albums were in decline, having been overtaken by pop music for the first time in seven years.

The Jessie J-ification of the album charts has caused a lot of hand-wringing in the "serious" music press. Gigwise even printed a story headlined: How Can We Save Music?, thereby displaying more misplaced snobbery than a box set of Downton Abbey.

I reckon it's all Thom Yorke's fault. Practically every British guitar band is in thrall to Radiohead - holding them up as an example of a commercially viable rock group who've maintained their creative credibility.

As a result, there are hundreds of artists that try to emulate their heroes by noodling about with indistinct vocals and skipping drum tracks. The likes of Foals, Everything Everything and The Maccabees are lauded for their avant-garde compositions - but ultimately their records sound like the musical expression of a maths lesson.

Even Kasabian have stated their intent to make more textured, intellectual albums. Bless their hearts.

When did we all forget that Radiohead had two big, dumb albums full of bigger, dumber melodies? The Bends didn't just win the band a loyal audience, it bankrolls the experimental stuff (you may notice that The King Of Limbs doesn't feature in last year's Top 10 best-selling rock albums).

Or maybe Radiohead aren't to blame at all. Musicians are loathe to admit it, but it's really hard to write a proper rock anthem - a straightforward, power chord barnstormer that connects with people on a fundamental, emotional level. It's much safer to show off how great you are by playing obscure scales through an echo pedal. Perhaps the current crop of guitar bands just aren't good enough to write a High & Dry or a Creep.

So while we wait for a decent rock writer to come along, we'd better just buckle down and try to enjoy the math rock. And what better way to start than with Django Django (they drink it in the Congo).

They're a new band who met in Art School, live in Dalston and named themselves after a Belgian jazz guitar legend (please try to suppress your gag reflex). Their latest single is called Default and it's actually quite catchy - IE they remembered to include a hook. The video is an arresting watch, too, featuring a stop-motion collage, hand painted by the band themselves.

[end of rant]

Django Django - Default

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